Polly Jones
Schrecker-Barbour Tutorial Fellow in Slavonic and East European Studies; Professor of Russian
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Contact information
Teaching
I was lecturerÌýfor seven years at the School of Slavonic and East European Studies, University College London, and a Davis fellow atÌýPrinceton University’s Davis Center for Historical Studies before taking up the Schrecker-Barbour fellowship and Associate Professorship at University College in 2012; I was promoted to Professor in 2020.
IÌýteach a wide range of 19th-21st-century Russian literature and culture andÌýtranslation papers at undergraduate and graduate level for the faculty and college; these include specialist courses on my period of expertise, such as papers on Gulag literature, late Soviet literature, Solzhenitsyn and Petrushevskaya.ÌýI welcome graduate student enquiries for supervision of projects onÌý20th or 21st-century Russian literature, cultural history and memory studies (current supervision includes projects on contemporary Ukrainian and Russian war film; the economics of late Soviet art; intelligentsia cults in late socialism; professional theatre in the Gulag; Soviet-era ballet in Kazakhstan).
Research
The key question that I’m interested in is how citizens of authoritarian regimes, especially writers and other cultural practitioners, find ways to express themselves, byÌýnavigating or evading censorship and other political controls. Much of my research to date has concerned the ways that memories of Soviet and Russian experiences were articulated in Soviet-published, samizdat and tamizdatÌýnarratives in the Khrushchev, Brezhnev and Gorbachev eras. I am now increasinglyÌýinterested in the literature and cultureÌýof the Putin era, especially its intersections with contemporaryÌýmemory politics of theÌýStalinist and Soviet past.ÌýI have recently completed a book on Gulag literature from the 20th to the 21st century, and am exploringÌýa new project on contemporary political prisoner narratives in Russian and Ukrainian literature and other media.ÌýI am also working on theÌýcollaborative project, ‘, which exploresÌýthe migration and settlement patterns and communities produced byÌýSoviet restrictions on residency in major Russian, Ukrainian and Latvian cities for Gulag returnees and other ‘marginals’. I appear regularly on UK and international radio, TV and podcasts to talk about Russian culture and history, and IÌýacted as consultant to Armando Iannucci’s film ‘The Death of Stalin’ (2017).ÌýI was appointed a trustee ofÌýÌýin London in 2024.
Selected Publications
Books
Ìý(London: Bloomsbury, 2024)
(ÌÇÐÄlogo: ÌÇÐÄlogo University Press, 2019)
(New Haven: Yale University Press, 2013 (paperback 2016))
(MHRA, 2018)
, edited volumeÌý(London: Routledge, 2006; paperback edition 2009)
(Basingstoke: Palgrave, 2004). Co-edited with B. Apor, J. Behrends, A. Rees.
Selected Articles
‘Kilometres 51 and 101: the development of Soviet residency and banishment policies in Ukraine, 1917-1940′ (co-authored with Olena Stiazhkina, Tamara Vronska),Ìý(2024)
‘The Censor’ and ‘The Camp’, Ìýchapters inÌý,Ìýeds Simon Franklin, Rebecca Reich, Emma Widdis (CUP, 2024)
‘,ÌýSlavic Review, vol. 80, winter 2021
IntroductionÌýtoÌýVasilii Grossman,Ìý(Everyman Classics, Penguin,Ìý2022)
‘‘ÌýSlavonic and East European Review, 96:1 (2018), 144-73
‘The Zones of Late Socialist Literature’,ÌýThe Cambridge History of Communism, ed. J. Fuerst, S. Pons, M. SandleÌý(Cambridge University Press, 2017), pp. 376-98.
‘’,ÌýMLR, 111. 4 (October 2016), pp. 1062-89.
ԉ۪, Slavic Review, 74: 1 (2015): 32-56
‘Worlds of Discontent and Dissent after Stalinism’,ÌýKritika, 15, 3 (Summer 2014): 637-52
‘Iurii Trifonov’s Fireglow and the “Mnemonic Communities” of the Brezhnev Era’,ÌýCahiers du Monde Russe, 54, 1-2 (2014): 1-26
‘The “thawâ€� goes international. Soviet Literature in Translation and Transit in the 1960s’, in A. Gorsuch, D. Koenker,ÌýThe Socialist Sixties. Crossing Borders in the Second WorldÌý(Indiana University Press, 2013)
‘The Personal and the Political: Opposition to the “Thawâ€� and the Politics of Literary Identity in the 1950s and 1960s’, in D. Kozlov, E. Gilburd, eds,ÌýThe Thaw. Soviet Society and Culture during the 1950s and 1960s (Toronto University Press, 2013)
‘Breaking the Silence: Iurii Bondarev’s Quietness between the “sincerityâ€� and “civic emotionâ€� of the Thaw’, in M. Steinberg, V. Sobol, eds,ÌýInterpreting Emotion in Russia and Eastern EuropeÌý(Northern Illinois University Press, 2011)
‘Memories of Terror or Terrorizing Memories? Terror, Trauma and Survival in Soviet Culture of the Thaw’,ÌýSlavonic and East European Review, 82:2, 2008.
‘“A Symptom of the Timesâ€�: Assigning Responsibility for the Stalin Cult in the Soviet Literary Community, 1953-64’,ÌýForum for Modern Language Studies, 42: 2, 2006
Selected Media
- ‘Ìýfilm, Arte TV/Les Films D’Ici, January 2024
- ‘, Op-Ed., Moscow Times, 18 September 2023
- ‘‘, BBC Radio 4, 28 August 2023
- ‘‘, MeduzaÌý(Naked Pravda podcast), 19 August 2023
- ‘, podcast for the University of Pittsburgh REES seriesÌýThe Specter in the Present: Trauma and its Legacies in EurasiaÌý(September 2022)
- Channel 5 (UK),Ìý2021
- ‘, BBC Radio 4 five-part series, December 2019
- Historical advisor to Armando Iannucci’s film The Death of Stalin, 2017
- ‘, BBC Radio 3 ‘Free Thinking’, February 2016,
- ÌýBBC Radio 3 Proms Interval broadcast,ÌýAugust 2015